Hori Ichirō
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Exhibitions
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biography
Hori Ichirô built the anagama kiln in his mountain village of Mino, where he creates masterful pieces in the white and gray shino ware traditions. His creamy thick shino glaze is often crazed, creating a beautiful deep reddish tone beneath the white base. Hori also excels at the rather difficult ash-glazed kiseto ware, which is best described as a pale yellow color on a rough textured surface.
"Sometimes I think myself a coward, living like a hermit in a mountain village. Other than firing works twice a year, I remain lost in thought. This is not because I am overly preoccupied with designing each piece but rather, because I need extra time to reflect in order to allow each piece to emerge naturally. Nature is my reality." Translated from exhibition catalogue Kuroda Tôen, 20001952 Born to potting family, in Gifu Prefecture
1971 Graduated from the design program of Tajimi High Scholl of Technology
Studied under a leading Mino ceramist, Katô Kôzô
Entered competitions-- Tôkai Traditional Crafts Exhibition, Japan Traditional
Crafts Exhibition (Nihon dentô kogei), Asahi Ceramic Exhibition and the Chûnichi
International Ceramic Exhibition
1984 Built his anagama kiln in Mizunami city, Gifu
Ceased showing in national competitions
Started exhibiting in solo gallery shows
1997 Moved his workshop to Ôkusa, Gifu, and established a new kiln
Awards:
Governor's Award, Asahi Ceramic Exhibition
Solo exhibitions:
2000 Hankyû Gallery, Osaka
Kuroda Tôen, Tokyo
2002 Kuroda Tôen, Tokyo
2005 Gallery Shoh, Osaka
"Black Seto ware exhibition" at Kuroda Tôen, Tokyo
Group exhibitions:
Entry to Chûnichi International Ceramic Exhibition
Entry to Tokai Traditional Crafts Exhibition
Entry to Gifu Prefecture Art Exhibition
Work exhibited and published in: Wege zur Japanischen Keramik: Tradition in der Gegenwart, Museum für Ostasiatische Kunst zu Berlin, 2005.
Reference:
The Contemporary Potters and Works in Japan, vol. 2 Central Division (Tokyo: Shogakkan, 1996), pp. 190-191 -
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biography_pdf
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video
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pull quote
“Sometimes I think myself a coward, living like a hermit in a mountain village. Other than firing works twice a year, I remain lost in thought. This is not because I am overly preoccupied with designing each piece but rather, because I need extra time to reflect in order to allow each piece to emerge naturally. Nature is my reality.”
HORI ICHIRŌ
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