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Kakurezaki Ryūichi

  • Exhibitions
  • biography
  • Kakurezaki Ryūichi
  • bio pt 1
  • bio pt 2
  • bio pt 3
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  • Exhibitions
    • The Winter Show 2025

      The Winter Show 2025

      FORM not FUNCTION: Japanese Ceramic Sculpture 24 Jan - 2 Feb 2025
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    • PAINTED CLAY

      PAINTED CLAY

      Wada Morihiro and Modern Ceramics of Japan 16 Mar - 14 Apr 2023
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    • Listening to Clay

      Listening to Clay

      Works available by artists featured in the latest book by Alice & Halsey North and Louise Cort 20 Jul - 26 Aug 2022
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    • KAZARI: Beyond Decoration

      KAZARI: Beyond Decoration

      The Winter Show 2022 in spring 1 - 10 Apr 2022
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    • Summer Sculptures

      Summer Sculptures

      21 Jun - 31 Aug 2021
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    • Restraint and Flamboyance: Masterworks of Mino

      Restraint and Flamboyance: Masterworks of Mino

      Asia Week 2020 12 - 28 Mar 2020
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    • The Winter Show 2020

      The Winter Show 2020

      KIN to GIN / GOLD+SILVER: LUSTER IN JAPANESE MODERN ART 24 Jan - 2 Feb 2020
      Read more
    • The Winter Show 2019

      The Winter Show 2019

      The Five Elements - Gogyō: Five Japanese Masters of the Art of Clay 18 - 27 Jan 2019
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    • Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Winter Antiques Show 2018 22 - 31 Jan 2018
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    • Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Asia Week New York 9 Mar - 14 Apr 2017
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    • Ao: Colors of Nature in Blue+Green

      Ao: Colors of Nature in Blue+Green

      Winter Antiques Show 20 - 29 Jan 2017
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    • Tsubo

      Tsubo

      The Art of the Vessel 13 Mar - 20 Apr 2015
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    • Out of the Fire

      Out of the Fire

      Sultry Ceramics 8 Jul - 29 Aug 2013
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    • The Salon Art + Design

      The Salon Art + Design

      Park Avenue Armory, NYC 8 - 12 Nov 2012
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    • Conversations in Clay

      West Meets East: A Collector's Perspective 16 Nov 2011 - 21 Jan 2012
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    • Lyrical Images

      Lyrical Images

      Poetry and Japan's Visual Art 14 Nov - 23 Jan 2008
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    • Koto ni tsukaete

      Koto ni tsukaete

      The Ceramic Art of Kakurezaki Ryûichi 23 - 28 Mar 2007
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  • biography

    Kakurezaki Ryiuichi is highly celebrated artist whose exhibitions in Japan often sell out within minutes of opening. Kakurezaki was born in Nagasaki on the island of Kyushu, and now lives and works in Imbe, the ancient home of Bizen ware. He has the advantage of being viewed as an outsider in Imbe, which allows him to experiment in ways that most of the other 500 potters working there cannot. While he works within the tradition of Bizen, his work is quite aesthetically different from conventional Bizen wares. His fresh and independent vision has inspired other potters to contend with classical forms, and has already established a standard of his own.

    “I do not intend to create something avant-garde in the Bizen style. My works are always functional, and I create ‘crafts’ that are indispensable for everyday life. I think it important that professional potters should create something in response to the needs of our society. My preference is to be seen as a craftsman whose work is avant-garde, rather than an avant-garde artist.”
    -Honoho geijutsu, no.67. Abe Shuppan, 2001: pp. 16-17

    1950 Born in Fukue, Nagasaki
    1973 Graduated from Osaka University of Art
    1985 Guest artist, Skidmore College, NY
    1990 Became an official member of Japan Craft Association
    1991 Featured on TV program, Studio Visit “Tsukuru (create)” by NHK
    1996 Commissioned wall piece, a health facility Picasso, Kanazawa
    1999 Lecturer, Shigaraki Ceramic Park Museum, Shiga
    2005 Guest artist at master’s workshop at Harvard University
    2006 Guest lecturer at “Ceramics at Harvard” “Bizen: Generational and Cultural Crossover”

    Awards:

    1982 Sanyō Newspaper Prize, Okayama Prefecture Art Exhibition (also in 1989)
    1985 Guest Instructor at Skidmore College, NY
    1986 Issui Prize at the 48th Issui Ceramic Art Exhibition (also in 1990)
    1988 Grand Prize, the Fifth Contemporary Tea Ceremony Utensils Exhibition, Tanabe Museum (also in 1993)
    1989 '89 Prize, the 1st Ceramic Arts Bienniale
    1993 Encouragement Award, Containers for Flowers Exhibition, the Sōgetsukai
    1995 Grand Prize, the 8th MOA Okada Mokichi Award
    1996 The Japan Ceramics Association Award
    1997 Sanyō Newspaper Grand Prize, the 48th Okayama Prefectural Exhibition
    2008 Excellent Prize, the 2nd “Ceramics for Tea Ceremony” Exhibition, Tomo Musée,
    Tokyo
    2009 “Kaneshige Tōyō” prize, Japan Traditional Craft Competition in Chugoku area

    Selected Public Collections:

    Chazen Museum of Art, University of Wisconsin, Madison, WI
    Everson Museum of Art, New York, NY
    Higashi Hiroshima Museum, Hiroshima
    Museum of Fine Arts, Boston, MA
    Minneapolis Institute of Arts, MN
    Musée Tomo, Tokyo
    Museum of Fine Arts, Boston, MA
    Philadelphia Museum of Art, PA
    Sèvres National Ceramic Museum, France
    Tanabe Museum
    Yale University Art Gallery, New Haven, CT
    Victoria and Albert Museum, London, UK

  • Kakurezaki Ryūichi

    Kakurezaki Ryūichi

  • bio pt 1

    bio pt 1

    Born 1950, Fukue, Nagasaki, Japan

    KAKUREZAKI RYŪICHI is a highly celebrated artist whose exhibitions in Japan often sell out within minutes of opening. Kakurezaki was born in Nagasaki on the island of Kyushu, and now lives and works in Imbe, the ancient home of Bizen ware. He has the advantage of being viewed as an outsider in Imbe, which allows him to experiment in ways that most of the other 500 potters working there cannot. While he works within the tradition of Bizen, his work is quite aesthetically different from conventional Bizen wares. His fresh and independent vision has inspired other potters to contend with classical forms, and has already established a standard of his own.

  • bio pt 2

    "I do not intend to create something avant-garde in the Bizen style. My works are always functional, and I create ‘crafts’ that are indispensable for everyday life. I think it important that professional potters should create something in response to the needs of our society. My preference is to be seen as a craftsman whose work is avant-garde, rather than an avant-garde artist.”

    KAKUREZAKI RYŪICHI in Honoho Geijutsu 67 (2001): pp. 16-17

  • bio pt 3

    bio pt 3

    Selected Public Collections:

    Art Institute of Chicago, IL
    Asian Art Museum, San Francisco, CA
    Chazen Museum of Art, Madison, WI
    Everson Museum of Art, Syracuse, NY
    Higashi Hiroshima Museum, Japan
    Los Angeles County Museum of Art, CA
    Minneapolis Institute of Art, MN
    Musée Tomo, Tokyo, Japan
    Museum of Fine Arts, Boston, MA
    Peabody Essex Museum, Salem, MA
    Philadelphia Museum of Art, PA
    Musée national de céramique, Sèvres, France
    Smith College Museum of Art, Northampton, MA
    Tanabe Museum, Matsue, Japan
    Victoria & Albert Museum, London, UK
    Yale University Art Gallery, New Haven, CT

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