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Kamada Kōji

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  • biography
  • Kamada Kōji
  • bio pt1
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  • Exhibitions
    • Teabowls and Waterjars

      Teabowls and Waterjars

      4 Dec 2023 - 5 Jan 2024
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    • Chanoyu

      Chanoyu

      Teaware of Japan 15 Jul - 31 Aug 2020
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    • The Winter Show 2019

      The Winter Show 2019

      The Five Elements - Gogyō: Five Japanese Masters of the Art of Clay 18 - 27 Jan 2019
      Read more
    • Reflections of a Summer Scape

      Reflections of a Summer Scape

      Clay, Prints and Paintings 20 Jun - 17 Aug 2018
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    • Ao: Colors of Nature in Blue+Green

      Ao: Colors of Nature in Blue+Green

      Winter Antiques Show 20 - 29 Jan 2017
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    • The Salon Art + Design

      The Salon Art + Design

      Park Avenue Armory, NYC 10 - 14 Nov 2016
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    • A Palette for Genius

      A Palette for Genius

      Japanese Water Jars for the Tea Ceremony 10 Mar - 15 Apr 2016
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    • The Eight Winds

      The Eight Winds

      Chinese Influence on Japanese Ceramics 18 Sep - 31 Oct 2013
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    • Conversations in Clay

      West Meets East: A Collector's Perspective 16 Nov 2011 - 21 Jan 2012
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    • SOFA:WEST (Santa Fe)

      SOFA:WEST (Santa Fe)

      5 - 7 Aug 2011
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    • Views from the Past, Visions of the Future

      Views from the Past, Visions of the Future

      Masterworks of Japanese Art 19 Sep - 15 Oct 2007
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  • biography

    Kamada Kōji is known for his mastery of the difficult tenmoku (rabbit’s hair) glaze, a technique that
    originated in 10th century Song Dynasty China and entered Japan during the Muromachi period
    two centuries later. Kamada has revitalized the technique by applying the traditional glaze to his
    modernized, but still functional, teaware that challenge the concepts of balance and presence. His
    works serve as an updated canvas for these established glaze techniques, allowing form and glaze
    to beautifully complement one another.

    1948 Born in Kyoto
    1968 Trained in Gojōzaka with Shimizu Tadashi
    1971 Graduated from Kyoto Ceramics Training School, became an instructor
    Began his study of tenmoku glazes
    1973 Entered the 2nd Japan Craft Association, Kinki District
    1976 Became an official member of the Japan Craft Society
    1977 Resigned as instructor for the Kyoto prefectural government and began concentrating exclusively on creating ceramics
    1982 With the closing of the public Gojōzaka kiln, he acquired his own gas kiln
    1988 Studied under National Living Treasure, Shimizu Uichi
    1990 Became an official member of Japan Sencha (Tea) Craft Association
    2000 Juror for Nihon dentō kogeiten (Japan Traditional Crafts Exhibition)

    Awards:

    1987 Kyoto Board of Education Chairperson's Award, the 16th Japan Craft Association Exhibition Kinki District

    Selected Solo Exhibitions:

    1978 Osaka Central Gallery (also '79 and '80)
    1980 Takashimaya Art Gallery, Kyoto (eight more shows through ‘03, then ‘13)
    1984 Takashimaya Art Gallery, Nihonbashi, Tokyo (also in ’99, ’03, ’06 and ‘09)
    1991 Takashimaya Art Gallery, Osaka (four more times through ‘05, again in ’08 and ‘11)
    1994 25th Anniversary exhibition of his career, Takashimaya Gallery, Gifu
    2002 Takashimaya Art Gallery, Nagoya (also in ’05 and ‘08)
    2004 Gallery Dōjima, Osaka
    Sun Gallery Sumie, Nagoya (also ‘07)
    2005 Gallery Kurimoto, Nigata
    Yū Gallery, Akasaka, Tokyo
    2010 Tenmoku: Kamada Koji, Deco Play, Yingge District, Taipei City, Taiwan

    Public Collections:

    Doshisha University Historical Museum, Kyoto
    Lowe Art Museum, University of Miami, Coral Cables, FL
    Metropolitan Museum of Art, New York, NY
    Museum of Kyoto
    Museum für Ostasiatische Kunst, Berlin, Germany
    New Orleans Museum of Art, New Orleans, LA
    Philadelphia Museum of Art, Philadelphia, PA
    Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL

  • Kamada Kōji

    Kamada Kōji

  • bio pt1

    bio pt1

    Born 1948, Kyoto, Japan

    KAMADA KŌJI is known for his mastery of the difficult tenmoku (oil spot and rabbit’s hair) glaze, a technique that originated in 10th century Song Dynasty China and entered Japan during the Muromachi period two centuries later. Kamada has revitalized the technique by applying the traditional glaze to his modernized, but still functional, teaware that challenge the concepts of balance and presence. His works serve as an updated canvas for these established glaze techniques, allowing form and glaze to beautifully complement one another. He is constantly experimenting with new variations on this ancient glaze creating an amazing array of silver, gold, copper, blue, purple and pink variations.

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