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Katsumata Chieko

  • Exhibitions
  • biography
  • Katsumata Chieko
  • bio pt 1
  • video
  • bio pt 2
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  • collections cont
  • biography_pdf
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  • Exhibitions
    • The Winter Show 2025

      The Winter Show 2025

      FORM not FUNCTION: Japanese Ceramic Sculpture 24 Jan - 2 Feb 2025
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    • The Winter Show 2024

      The Winter Show 2024

      Taking Space, Making Space 19 - 28 Jan 2024
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    • PAINTED CLAY

      PAINTED CLAY

      Wada Morihiro and Modern Ceramics of Japan 16 Mar - 14 Apr 2023
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    • 10 x 10 Past and Present

      10 x 10 Past and Present

      Japanese Masters of Ceramics 20 - 29 Jan 2023
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    • KAZARI: Beyond Decoration

      KAZARI: Beyond Decoration

      The Winter Show 2022 in spring 1 - 10 Apr 2022
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    • Transcendent Kyoto

      Transcendent Kyoto

      Winter 2022 4 Jan - 18 Feb 2022
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    • Vessel Explored / Vessel Transformed - Tomimoto Kenkichi and his Enduring Legacy

      Vessel Explored / Vessel Transformed - Tomimoto Kenkichi and his Enduring Legacy

      13 Mar - 26 Apr 2019
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    • The Winter Show 2019

      The Winter Show 2019

      The Five Elements - Gogyō: Five Japanese Masters of the Art of Clay 18 - 27 Jan 2019
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    • Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Winter Antiques Show 2018 22 - 31 Jan 2018
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    • Sakiyama Takayuki & Salon Art + Design 2017

      Sakiyama Takayuki & Salon Art + Design 2017

      CHOTO: Listening to the Waves 8 - 13 Nov 2017
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    • Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Asia Week New York 9 Mar - 14 Apr 2017
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    • Ao: Colors of Nature in Blue+Green

      Ao: Colors of Nature in Blue+Green

      Winter Antiques Show 20 - 29 Jan 2017
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    • Summer Exhibition

      Summer Exhibition

      Clay Sculpture 13 Jul - 31 Aug 2016
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    • A Palette for Genius

      A Palette for Genius

      Japanese Water Jars for the Tea Ceremony 10 Mar - 15 Apr 2016
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    • Katsumata Chieko

      Katsumata Chieko

      Nature Transformed 9 Jun - 31 Jul 2015
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    • Japan in Black and White

      Japan in Black and White

      Ink and Clay 14 Mar - 25 Apr 2014
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    • The Salon Art + Design

      The Salon Art + Design

      Park Avenue Armory, NYC 8 - 12 Nov 2012
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    • The French Connection

      The French Connection

      Futamura Yoshimi, Katsumata Chieko, Nagasawa Setsuko, Ogawa Machiko, & Sakurai Yasuko 7 Jun - 24 Aug 2012
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    • Conversations in Clay

      West Meets East: A Collector's Perspective 16 Nov 2011 - 21 Jan 2012
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    • Soaring Voices

      Soaring Voices

      Contemporary Japanese Women Ceramic Artists 16 Oct - 31 Dec 2011
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    • Touch Fire

      Touch Fire

      Contemporary Japanese Ceramics by Women Artists 9 Oct 2009 - 28 Feb 2010
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    • BREAKING FROM TRADITION / Japanese Ceramics Today

      BREAKING FROM TRADITION / Japanese Ceramics Today

      Harvey/Meadows Gallery 6 Aug - 8 Sep 2009
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    • Lyrical Images

      Lyrical Images

      Poetry and Japan's Visual Art 14 Nov - 23 Jan 2008
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    • Breaking the Mold / Kata O Yaburu

      Breaking the Mold / Kata O Yaburu

      Leading Japanese Women Ceramists 8 Nov - 15 Dec 2007
      Read more
    • Transcending Tradition

      Transcending Tradition

      Japanese Contemporary Ceramic Art 26 Sep - 7 Oct 2006
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  • biography

    After attending Nihon Women's University, Katsumata Chieko received a grant from the French government to study industrial design in Paris; but after a chance meeting with the well-known American potter Fance Franc (1931-2008) was inspired to pursue a career in ceramics. Upon returning to Kyoto, she began to focus on the application of color to clay under the mentorship of Yanagihara Mutsuo. Instead of painting directly on her biomorphic, vegetal vessels, she covers the form with a thin piece of cloth through which she repeatedly applies color, leaving no trace of her brushwork. After repeated firings, followed by new applications of color, the surfaces take on a penetrating vivid color and soft textural appearance. She has exhibited extensively both in and outside of Japan, including France, Holland and the U.S.

    1950 Born in Shizuoka
    1972 B.A. in Home Economics, Nihon Women's University, Tokyo
    1973-77 Atelier Francine Del Pierre, Paris, apprenticed to Mme. Fance Frank
    1974-77 L’Ecole National Supérrieurre des Arts Appliqués et Mètiers d'Art, Ceramics
    1978 Built studio in Kyoto
    1997 Lectured at the National School of Decorative Art in Switzerland
    2000 Lectured at Kyoto University of Arts and Design, Kyoto
    2004 Lectured at Kyoto City University of Arts, Kyoto
    2010 Lectured at Smith College Museum of Art, Northampton, MA
    2011 International Ceramic Art Festival in Sasama, Shizuoka
    2012 Lectured at Maui Art and Cultural Center, Maui, HI
    2013 Werkschule-Werkstatt fur Kunst und Kulturalbeil e.v. Germany

    Selected Public Collections:

    Brooklyn Museum, New York, NY
    Chazen Museum of Art, University of Wisconsin, Madison, WI
    Ishikawa Prefectural Kutani Research Institute, Ishikawa
    Japan Foundation, Tokyo
    Latvijas National Makslas Mujejs, Riga, Latvia
    Minneapolis Institute of Arts, Minneapolis, MN
    Musée Cernuschi, Paris, France
    Musée national de céramique, Sèvres, France
    Museum of Modern Ceramic Art, Gifu
    National Museum of Modern Art, Tokyo
    Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL
    Shigaraki Ceramic Cultural Park, Shiga
    Smith College, Northampton, MA
    Worcester Art Museum, Worcester, MA
    World Ceramic Exposition Foundation, Korea
    Samuel P. Harn Museum of Art, Gainesville, FL

  • Katsumata Chieko

    Katsumata Chieko

  • bio pt 1

    bio pt 1

    Born 1950, Shizuoka, Japan

    After attending Japan Women's University, KATSUMATA CHIEKO received a grant in 1972 from the French government to study industrial design in Paris. While there, after a chance meeting with the well-known American potter Fance Franck (1931-2008), she was inspired to pursue a career in ceramics. Upon returning to Kyoto in 1978, she began to focus on the application of color to clay under the mentorship of Yanagihara Mutsuo. Instead of painting directly on her biomorphic, vegetal vessels, she covers the form with a thin piece of cloth through which she repeatedly applies color, leaving no trace of her brushwork. After repeated firings, followed by new applications of color, the surfaces take on a penetrating vivid color and soft textural appearance. She has exhibited extensively both in and outside of Japan, including France, Holland and the U.S.  

  • video

  • bio pt 2

    bio pt 2

    Selected Public Collections: 

    Asian Art Museum, San Francisco, CA
    Brooklyn Museum, NY
    Chazen Museum of Art, Madison, WI
    Cincinnati Art Museum, OH
    Honolulu Museum of Art, HI
    Institute of Ceramic Studies, Shigaraki Ceramic Cultural Park, Japan
    Ishikawa Prefectural Kutani Research Institute, Japan
    Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
    Japan Foundation, Tokyo, Japan
    Latvijas Nacional Makslas Muzejs, Riga, Latvia
    Metropolitan Museum of Art, New York, NY
    Minneapolis Institute of Art, MN
    Musée Ariana, Geneva, Switzerland
    Musée Cernuschi, Paris, France
    Musée des Beaux-Arts de Lyon, France
    Musée national des arts asiatiques - Guimet, Paris, France
    Musée national de céramique, Sèvres, France
    Museum of Modern Ceramic Art, Gifu, Japan
    National Museum of Modern Art, Tokyo, Japan

  • banner image

    banner image

  • collections cont

    collections cont

    Selected Public Collections (continued):


    Office of Public Works, Trim, Ireland
    Peabody Essex Museum, Salem, MA
    Phoenix Art Museum, AZ
    Portland Art Museum, OR
    Samuel P. Harn Museum of Art, Gainesville, FL
    San Antonio Museum of Art, TX
    Shigaraki Ceramic Cultural Park, Japan
    Smith College, Northampton, MA
    Worcester Art Museum, MA
    World Ceramic Exposition Foundation, Seoul, South Korea
    Yale University Art Gallery, CT

  • biography_pdf

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