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Kondō Yutaka

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  • biography
  • Kondō Yutaka
  • bio pt 1
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  • Exhibitions
    • Eternal Partnership

      Eternal Partnership

      Japanese Ceramics in Blue/White 14 Mar - 19 Apr 2024
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    • Transcendent Kyoto

      Transcendent Kyoto

      Winter 2022 4 Jan - 18 Feb 2022
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    • The Winter Show 2020

      The Winter Show 2020

      KIN to GIN / GOLD+SILVER: LUSTER IN JAPANESE MODERN ART 24 Jan - 2 Feb 2020
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    • Vessel Explored / Vessel Transformed - Tomimoto Kenkichi and his Enduring Legacy

      Vessel Explored / Vessel Transformed - Tomimoto Kenkichi and his Enduring Legacy

      13 Mar - 26 Apr 2019
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    • The Winter Show 2019

      The Winter Show 2019

      The Five Elements - Gogyō: Five Japanese Masters of the Art of Clay 18 - 27 Jan 2019
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    • Winter Antiques Show 2016

      Winter Antiques Show 2016

      A Benefit for East Side House Settlement 22 - 31 Jan 2016
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    • Japan in Black and White

      Japan in Black and White

      Ink and Clay 14 Mar - 25 Apr 2014
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    • Winter Antiques Show

      Winter Antiques Show

      A Benefit for East Side House Settlement 24 Jan - 2 Feb 2014
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    • The Eight Winds

      The Eight Winds

      Chinese Influence on Japanese Ceramics 18 Sep - 31 Oct 2013
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    • Kondo Yutaka

      Kondo Yutaka

      The Transformation of a Traditional Kyoto Family 10 Nov - 17 Dec 2010
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  • biography

    Kondō Yutaka studied at Kyoto City University of Art with three Living National Treasures: his father
    Kondō Yuzō (1902-1985), designated for sometsuke ware (cobalt blue-glazed porcelain), Fujimoto
    Nōdō (1919-92), known for his overglaze works, and Tomimoto Kenkichi (1886-1963), who
    revolutionized Japanese ceramics as both artist and influential teacher. After graduating in 1955
    and until his untimely death in 1983, Kondō also taught ceramic courses at the university. He drew
    inspiration from medieval Chinese, Korean, and Islamic ceramic aesthetics, which he studied first-
    hand during several trips abroad. Of these various techniques, the style of punch’ong ware from
    15th – 16th century Korea, characterized by a white liquid slip-inlay and a black glazed surface,
    became Kondō’s signature aesthetic.

    1932 Born in Kyoto
    1955 Graduated from ceramic department of Kyoto City University of Arts
    1957 Studied with Tomimoto Kenkichi and Kondō Yūzō
    1961 Appointed assistant at Kyoto City University of Fine Arts
    1962-63 Traveled to U.S. and Europe, taught at Indiana University with Karl Martz
    1964 Appointed Instructor at Kyoto City College of Fine Arts
    1966 Japan Ceramics Association Award
    1969 Participated in field research in Papua New Guinea
    1971 Appointed Assistant Professor at Kyoto City University of Arts
    1972 Invited to teach at Indiana University
    1977 Participated in field research in Afghanistan and Korea
    1979 Visiting instructor, Queen Elizabeth II Academy of Fine Arts in New Zealand
    1980 Appointed Professor at Kyoto City University of Arts
    1982 Studied medieval Korean ceramics and worked in Korea
    1983 Died at the age of 50

    Awards:

    1957 Awarded the Kyoto Mayoral Prize, Kyo-ten (also in 1962)
    1959 Awarded the Tomimoto Prize, Shinshō-kai
    1960 Awarded the Emerging Artist Prize, Kyoto Shūsaku-ten
    Awarded prize, Asahi Contemporary Ceramics Exhibition
    1981 Awarded the Merit Prize, Japan Traditional Crafts Exhibition

    Selected Public Collections:

    Indiana University of Art Museum, Bloomington IN
    Metropolitan Museum of Art, NY
    Musée Tomo, Tokyo
    Victoria & Albert Museum, London

  • Kondō Yutaka

    Kondō Yutaka

  • bio pt 1

    bio pt 1

    (1932-1983)

    KONDŌ YUTAKA studied at Kyoto City University of Arts with two Living National Treasures: his father Kondō Yūzō (1902-1985), designated for sometsuke ware (cobalt blue-glazed porcelain) and Tomimoto Kenkichi (1886-1963), who revolutionized Japanese ceramics as both artist and influential teacher. After graduating in 1955 and until his untimely death in 1983, Kondō also taught ceramic courses at the university. He drew inspiration from medieval Chinese, Korean, and Islamic ceramic aesthetics, which he studied first-hand during several trips abroad. Of these various techniques, the style of punch’ong ware from 15th–16th century Korea, characterized by a white liquid slip-inlay and a black glazed surface, became Kondō’s signature aesthetic.

     

    Selected Public Collections:

    Cincinnati Art Museum, OH
    Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
    Indiana University of Art Museum, Bloomington, IN
    Los Angeles County Museum of Art, CA
    Metropolitan Museum of Art, New York, NY
    Minneapolis Institute of Art, MN
    Musée Tomo, Tokyo, Japan
    Museum of Fine Arts, Boston, MA
    National Museum of Modern Art, Kyoto, Japan
    Victoria & Albert Museum, London, UK
    Yale University Art Gallery, New Haven, CT

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