• Exhibitions
  • biography

    Mihara Ken's unique style is the culmination of a thoughtful dialogue between potter and clay. Using materials from his native Shimane prefecture, Mihara constructs each work through an organic creative process. His hand-formed works possess a strong linear quality while at the same time incorporating soft, delicate curves to create a unique combination of subtlety and solidity. Elegant shapes, often drawn from ancient forms or more currently inspired by the tradition of origami, are fully sculptural and successful from every vantage point. With repeated firings at high temperatures, the surfaces of these vessels radiate subtle and soft colors ranging from deep gray to peach to misty white and purple.

    While younger than most of his equally prominent colleagues, Mihara is able to convey in his vessels a confident design sense, sophisticated style and brilliance of execution of a far more mature artist. This creative brilliance has been widely recognized by Japanese critics as evidenced by the awarding of numerous prestigious prizes and grants.

    1958 Born in Shimane Prefecture
    1981-82 Studied with Funaki Kenji
    1999 Featured in NHK program, Yakimono tanbô [Visiting Pottery] (also 2009
    2000 Public Commission, Ceramic Wall Installation at Sankei Building, Tokyo (also 2002)
    2003 Book Ceramic Art of MIHARA Ken in the Four Seasons of Izumo, published by Coherence, Inc.

    Awards:

    1985 Shimane Prefecture Craft Arts Association Prize
    1986 Entry to San-in Craft Arts Exhibition
    1988 Governor’s prize, Japan Traditional Arts and Crafts Chûgoku division (also in 1993)
    Entry to Asahi Ceramic Art Exhibition
    1989 Entry to Japan Ceramic Art Exhibition
    1991 Entry to the Chôza Award Ceramic Exhibition
    Entry to the Exhibition of Unglazed Ceramic Competition
    1992 Incentive Prize, Arts of the Tea Ceremony Exhibition, Tanabe Museum, Shimane (also in 1994, 2002, 2003, 2004)
    Entry to International Ceramics Festival Mino, Gifu
    1995 Award of Excellence, Arts of the Tea Ceremony Exhibition, Tanabe Museum, Shimane (also in 2005, 2006)
    Award of Excellence, Vessels for Bonsai Exhibition
    1996 Grand Prize, Hana-no-sumika Exhibition, Daimaru Museum, Tokyo
    Entry to the Tankō Biennale, Tea-ware Museum, Kyoto (also 1998)
    Entry to the Flower Vessel Biennale, The Sōgetsu Museum, Tokyo
    2001 Grand Prize, Arts of the Tea Ceremony Exhibition, Tanabe Museum, Shimane (also in 2008)
    2002 Energia Art Award
    2005 Grant to study in Italy from Musée Tomo
    2006 Award, Paramita Ceramics Competition, Paramita Museum, Japan
    Grand Prize, Contemporary Ceramics for the Tea Ceremony Exhibition, Musée Tomo, Tokyo
    2008 Japan Ceramic Society Prize
    2009 Cultural Encouragement Award, Shizuoka Prefecture, Japan
    2010 Encouragement Prize, Arts of the Tea Ceremony Exhibition, Tanabe Museum, Shimane

    Selected Public Collections:

    Chazen Museum of Art, WI
    Cornell University, Ithaca, NY
    East Hiroshima City Museum of Art
    Gotoh Museum, Tokyo
    Los Angeles County Museum of Art
    Metropolitan Museum of Art
    Museum of Ceramic Art, Hyogo
    Museum of Modern Ceramics, Tajimi, Gifu
    Museum of Fine Arts, Boston, MA
    National Museum of Modern Art, Tokyo
    New Orleans Museum of Art
    Peabody Essex Museum
    Philadelphia Museum of Art
    Sankei Building, Tokyo
    Takagi Bonsai Art Museum, Tokyo
    Tanabe Art Museum, Shimane
    Victoria & Albert Museum, London
    Yale University Art Gallery
    Walters Art Gallery, Baltimore, MD

  • bio pt 1

    bio pt 1

    Born 1958, Shimane Prefecture, Japan

    MIHARA KEN's unique style is the culmination of a thoughtful dialogue between ceramist and clay. Using iron-rich clay and fire-resistant slip from his native Shimane prefecture, Mihara constructs each work through an organic creative process. His hand-formed works possess a strong linear quality while at the same time incorporating soft, delicate curves to create a unique combination of subtlety and solidity. Elegant shapes, often drawn from ancient forms or inspired by the tradition of origami, are fully sculptural and successful from every vantage point. With repeated firings at high temperatures, the surfaces of these vessels radiate subtle and soft colors ranging from deep gray to peach to misty white and purple. 

    Mihara is able to convey in his vessels a confident design sense, a seriousness of purpose, sophisticated style and brilliance of execution. This creative genius has been widely recognized by Japanese critics as evidenced by the awarding of numerous prestigious prizes and grants.

  • Mihara Ken

    Mihara Ken

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