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Suzuki Osamu

  • Exhibitions
  • biography
  • Suzuki Osamu 鈴木 治
  • bio 1
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  • Exhibitions
    • Warm to the Touch

      Warm to the Touch

      Cool and Refreshing Celadon 20 Jun - 11 Aug 2023
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    • 10 x 10 Past and Present

      10 x 10 Past and Present

      Japanese Masters of Ceramics 20 - 29 Jan 2023
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    • Transcendent Kyoto

      Transcendent Kyoto

      Winter 2022 4 Jan - 18 Feb 2022
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    • Summer Clay: Textures of The Shoreline

      Summer Clay: Textures of The Shoreline

      1 Jul - 29 Aug 2019
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    • The Winter Show 2019

      The Winter Show 2019

      The Five Elements - Gogyō: Five Japanese Masters of the Art of Clay 18 - 27 Jan 2019
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    • Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Asia Week New York 9 Mar - 14 Apr 2017
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    • Ao: Colors of Nature in Blue+Green

      Ao: Colors of Nature in Blue+Green

      Winter Antiques Show 20 - 29 Jan 2017
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    • The Salon Art + Design

      The Salon Art + Design

      Park Avenue Armory, NYC 10 - 14 Nov 2016
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    • Summer Exhibition

      Summer Exhibition

      Clay Sculpture 13 Jul - 31 Aug 2016
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    • A Palette for Genius

      A Palette for Genius

      Japanese Water Jars for the Tea Ceremony 10 Mar - 15 Apr 2016
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    • Winter Antiques Show

      Winter Antiques Show

      A Benefit for East Side House Settlement 23 Jan - 1 Feb 2015
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    • Japan in Black and White

      Japan in Black and White

      Ink and Clay 14 Mar - 25 Apr 2014
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    • Winter Antiques Show

      Winter Antiques Show

      A Benefit for East Side House Settlement 24 Jan - 2 Feb 2014
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    • The Salon Art + Design

      The Salon Art + Design

      Park Avenue Armory, NYC 8 - 12 Nov 2012
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    • Conversations in Clay

      West Meets East: A Collector's Perspective 16 Nov 2011 - 21 Jan 2012
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    • Birds of Dawn

      Birds of Dawn

      Pioneers of Japan's Sodeisha Ceramic Movement 16 Mar - 29 Apr 2011
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    • Winter Antiques Show

      Winter Antiques Show

      Confronting Tradition in Clay: Japanese National Living Treasures versus Iconoclasts 21 - 30 Jan 2011
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    • Transcending Tradition

      Transcending Tradition

      Japanese Contemporary Ceramic Art 26 Sep - 7 Oct 2006
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  • biography

    Suzuki Osamu has received tremendous recognition throughout Japan including a highly praised, enormous retrospective in 1999 that toured five major Japanese museums. He began his career in 1948 with his co-founding of the Sōdeisha group, dedicated to the creation of works, independent of ancient types, to be created by those artists who refused to exhibit at established studio craft competitions. At the time, this was nearly a heretical philosophy. Suzuki and his colleagues consistently strove to stand apart from traditional works – both stylistically and technically. By the mid-fifties, non-functional work became his focus. Suzuki’s influence then and now remains huge and he has been seen for decades as one of the pioneers of avant-garde ceramic art. He worked both in porcelain and stoneware, the latter for which he is best known. Combining Shigaraki clay, typically with a tooled surface, with iron slip and ash glaze in an oxidizing kiln, he creates remarkable surfaces that change as the light falls across it. His works have entered the collections of museums throughout the world.

    1926 Born in Kyoto
    1943 Graduated from the Kyoto Second Industrial School
    1946 Joined the Young Ceramists Group (established by Yagi Kazuo, Nakajima Kiyoshi, etc.)
    1948 Founding member of the Sōdeisha group
    1949 Taught at the ceramic department of a Kyoto high school (retired in ‘92)
    Worked for the Seven Colors Craft Company
    1954 Stopped making functional ceramics
    1967 Began executing a series of highly abstract horses
    1969 Moved to Kiyomizu Danchi in Yamashina; uses a gas kiln for the first time and begins producing seihakuji pieces
    1979 Appointed professor at Kyoto Municipal University of Arts and Music (retired in ‘92)

    Awards:

    1947 First entry to the 3rd Nitten Exhibition
    1960 Japan Ceramics Society Prize (also awarded Gold Prize in ’84)
    1962 Golden Prize, Prague International Ceramics Exhibitio, Prague, Czech Republic
    1970 Golden Prize, International Biennial Ceramics Exhibition, Vallauris, France
    1971 Minister of Trade Prize, Faenza International Ceramics Exhibition, Faenza, Italy
    1984 1st Fujiwara Kei Memorial Award
    1987 Cultural Merits from Kyoto Prefecture
    1992 Honorary Teacher’s Award from Kyoto Arts High School
    1993 Cultural Merits from City of Kyoto
    1994 Arts and Culture Award
    1998 30th Annual Crafts of Japan Award
    1999 Asahi Award of Excellence

    Selected Public Collections:

    Arthur M. Sackler Museum, Smithsonian Institution, Washington DC
    Brooklyn Museum, New York, NY
    Hiroshima Prefectural Art Museum
    Ikenobo Society of Floral Art, Kyoto
    Kitamura Museum, Kyoto
    Kodama Museum of Art
    Kyoto Municipal Museum of Art
    Kyoto Prefectural Sogo-Shiryokan
    Musée Magnelli del la Céramique, Vallauris, France
    Musée national de Céramique, Sèvres, France
    Musee Tomo, Tokyo
    Museo Internazionale delle Ceramiche, Faenza, Italy
    Museum of Modern Art, Shiga
    National Museum of Art, Osaka
    National Museum of Modern Art, Kyoto
    National Museum of Modern Art, Tokyo
    Metropolitan Museum of Art, NY, New York
    Museum of Oriental Ceramics, Osaka
    Museum of Modern Art, Shiga
    Polk Museum of Art, Lakeland, FL
    Portland Art Museum, Portland, OR
    Seattle Art Museum, Seattle, WA
    Shigaraki Togei no Mori (Ceramic Cultural Park)
    Shiseido Art House
    Spencer Museum of Art, University of Kansas, Lawrence, KS
    Takamatsu Municipal Museum of Art
    Tokushima Prefectural Art Museum
    Victoria and Albert Museum, London, United Kingdom

  • Suzuki Osamu 鈴木 治

    Suzuki Osamu 鈴木 治

  • bio 1

    bio 1

    (1926-2001)

    SUZUKI OSAMU has received tremendous recognition throughout Japan including a highly praised, enormous retrospective in 1999 that toured five major Japanese museums. As a co-founder of the avant-garde Sōdeisha group, he was dedicated to the creation of works independent from ancient types. The group was formed of like-minded artists who refused to exhibit at established studio craft competitions. At the time, this was nearly a heretical philosophy. Suzuki and his colleagues consistently strove to stand apart from traditional works, both stylistically and technically. By the mid-1950s, he focused on non-functional work. Suzuki’s influence then and now remains huge, and he has been regarded for decades as one of the pioneers of avant-garde ceramic art. He worked both in porcelain and in stoneware. Combining Shigaraki clay, typically with a tooled surface, with iron slip and ash glaze in an oxidizing kiln, he created remarkable surfaces that changed as the light fell across them from different angles. His works have entered the collections of museums throughout the world.

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