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Takegoshi Jun

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  • Takegoshi Jun
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  • Exhibitions
    • Takegoshi Jun

      Takegoshi Jun

      Beyond Kutani II: Innovations in Form and Color 6 Nov - 12 Dec 2025
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    • PAINTED CLAY

      PAINTED CLAY

      Wada Morihiro and Modern Ceramics of Japan 16 Mar - 14 Apr 2023
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    • KAZARI: Beyond Decoration

      KAZARI: Beyond Decoration

      The Winter Show 2022 in spring 1 - 10 Apr 2022
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    • The Winter Show 2021

      The Winter Show 2021

      Masterworks of Modern Japanese Porcelain 19 - 31 Jan 2021
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    • Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Winter Antiques Show 2018 22 - 31 Jan 2018
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    • Sakiyama Takayuki & Salon Art + Design 2017

      Sakiyama Takayuki & Salon Art + Design 2017

      CHOTO: Listening to the Waves 8 - 13 Nov 2017
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    • Takegoshi Jun

      Takegoshi Jun

      ASIA WEEK NEW YORK 2017 2 May - 7 Jun 2017
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    • Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Timeless Elegance in Japanese Art: Celebrating 40 Years!

      Asia Week New York 9 Mar - 14 Apr 2017
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    • Ao: Colors of Nature in Blue+Green

      Ao: Colors of Nature in Blue+Green

      Winter Antiques Show 20 - 29 Jan 2017
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    • Winter Antiques Show 2016

      Winter Antiques Show 2016

      A Benefit for East Side House Settlement 22 - 31 Jan 2016
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    • The Eight Winds

      The Eight Winds

      Chinese Influence on Japanese Ceramics 18 Sep - 31 Oct 2013
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    • The Salon Art + Design

      The Salon Art + Design

      Park Avenue Armory, NYC 8 - 12 Nov 2012
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    • SOFA:WEST (Santa Fe)

      SOFA:WEST (Santa Fe)

      5 - 7 Aug 2011
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    • Takegoshi Jun

      Takegoshi Jun

      Flights of Fancy 13 Sep - 22 Oct 2010
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    • Ao

      Ao

      Summer 2010 9 Jun - 13 Aug 2010
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    • Views from the Past, Visions of the Future

      Views from the Past, Visions of the Future

      Masterworks of Japanese Art 19 Sep - 15 Oct 2007
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    • Garden of Color

      Garden of Color

      The Ceramic Art of Takegoshi Jun 31 Mar - 5 Apr 2006
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  • biography

    Born in Ishikawa as the eldest son of Takegoshi Taizan III (1919-1984), a master of kutani ware, Takegoshi Jun succeeded to the traditional techniques inherited from his patrimony. After graduating from Kanazawa College of Art, he began to independently produce ceramics in 1972. He uses the tatara technique, in which thin sheets of clay are cut with metal wire, to create three-dimensional surfaces through layering of the clay sheets. He has devoted himself to producing polychrome enamel porcelain vessels that serve as vehicles for his brilliantly colored and elegantly painted depictions of the natural world.

    1948 Born in Ishikawa
    1972 Graduated fro Kanazawa College of Art
    1974 Entered the Nitten under Kitaide Fujio, judge for the Nitten
    1979 Co-founded Shin nihon kōgeika renmei (New Arts and Crafts Artists Association of Japan), won Grand Prize three times. Served as a judge in 1987, 89, 93, and 96
    1984 Interviewed and featured in Creating Culture by NHK Kanazawa 1988 Featured in Terebi bijutsukan (TV Art Museum) by Fuji TV
    1998 Worked with Tokuda Yasokichi III, Living National Treasure
    1999 Became a Member of Conservation Association of Traditional Kutani Ware
    Featured in NHK television program, Yakimono tanbō (Ceramic Hunt)
    2001 Featured in NHK television program, Shumi Yūyū (Tasteful leisure);
    2002 Featured in NHK television program, Nichiyō Bijutsukan (Sunday Museums)
    2003 Co-authored the textbooks, Tōgei enshū I & II; Yakimono ni shitashimu (Ceramic Practice I & II: Introduction to Ceramics) to accompany the NHK television series, Shumi Yūyū
    2010 Featured in NHK television program, Bi no tsubo (Vessels of Beauty)

    Awards:

    1986 Awarded the Hakone Open-Air Museum Prize, Asu o hiraku nihon shin kōgei-ten (the Innovative New Arts and Crafts of Japan Exhibition) (also in 1988)
    1987 Awarded the Prize for Excellency, Traditional Kutani Ware Exhibition (also Grand Prize in 1991, ‘96 – ‘98)
    1990 Awarded the Encouragement Prize, Nitten (also Special Prize in 1991 and ’94)
    2002 Awarded the Asahi News Company Prize for Excellence, Nihon dentō kōgeiten (Traditional Japanese Crafts Association Exhibition) (Encouragement Award in 2004)
    2009 Awarded the Ishikawa Television Company Prize (for distinguished services to preserve and promote the local culture)

    Selected Public Collections:
    Chazen Museum of Art, University of Wisconsin, Madison, WI
    Metropolitan Museum of Art, NY
    Minneapolis Institute of Art, MN
    Museum of Fine Arts, Boston, MA
    Newark Museum, NJ
    Philadelphia Museum of Art, PA
    Yale University Art Gallery, CT
    Ishikawa Prefectural Museum of Art, Kanazawa
    Imperial Household Collection
    Tsurui Museum, Niigata

  • Takegoshi Jun

    Takegoshi Jun

  • bio pt1

    bio pt1

    Born 1948 in Ishikawa, eldest son of Takegoshi Taizan III (1919-1984), master of kutani ware

    A master of kutani glazing, TAKEGOSHI JUN inherited the traditional techniques of his family. As a brilliant painter, he has used them as a stepping-stone to formulate an unrivaled array of colorful glazes that bring his personal kachō (bird-and-flower) imagery to life on his slab-hand-built (tatara) porcelain forms.

    As a tall youth, his first passion was basketball and he wanted to become a physical education teacher. However, persuaded by his high school art teacher, he instead enrolled at Kanazawa College of Art to study Japanese traditional painting, or nihonga. Following graduation in 1972, he opened his independent studio. Shortly thereafter, Takegoshi was shown a remarkable ink painting created by a physically challenged right-handed person, forced to paint with his other hand. This painting impressed him with its overpowering presence and led to his realization that every brushstroke must emanate from the heart. So inspired, he set off in search of his own true passion and found it at an exhibition of ko-kutani (traditional kutani ware) in Tokyo. Remarkably, despite his heritage, this was the first time he truly appreciated this type of polychrome glazing. This revelation set him on his course to reinvent ko-kutani for the new millennium.

  • bio 2

    bio 2

    Selected Public Collections:

    Ackland Art Museum, University of North Carolina-Chapel Hill, NC
    Art Gallery of South Australia, Adelaide, Australia
    Art Institute of Chicago, IL
    Asian Art Museum, San Francisco, CA
    Chazen Museum of Art, Madison, WI
    Cleveland Museum of Art, OH
    Fitzwilliam Museum, Cambridge, UK
    Imperial Household Collection, Tokyo, Japan
    Ishikawa Prefectural Museum of Art, Japan
    Metropolitan Museum of Art, New York, NY
    Minneapolis Institute of Art, MN
    Museum of Fine Arts, Boston, MA
    National Museum of Modern Art, Tokyo, Japan
    Newark Museum, NJ
    Philadelphia Museum of Art, PA
    San Antonio Museum of Art, TX
    Tsurui Museum, Niigata, Japan
    Victoria & Albert Museum, London, UK
    Walters Art Museum, Baltimore, MD
    Yale University Art Gallery, New Haven, CT

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