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Ishiguro Munemaro

  • Exhibitions
  • Ishiguro Munemaro 石黒 宗麿
  • bio pt 1
  • video
  • bio pt 2
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  • Exhibitions
    • Warm to the Touch

      Warm to the Touch

      Cool and Refreshing Celadon 20 Jun - 11 Aug 2023
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    • PAINTED CLAY

      PAINTED CLAY

      Wada Morihiro and Modern Ceramics of Japan 16 Mar - 14 Apr 2023
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    • Chanoyu

      Chanoyu

      Teaware of Japan 15 Jul - 31 Aug 2020
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    • Poetic Reflections

      Poetic Reflections

      Ishiguro Munemaro and Tanaka Sajiro 2 Jun - 8 Jul 2016
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    • A Palette for Genius

      A Palette for Genius

      Japanese Water Jars for the Tea Ceremony 10 Mar - 15 Apr 2016
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    • Tsubo

      Tsubo

      The Art of the Vessel 13 Mar - 20 Apr 2015
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    • Japan in Black and White

      Japan in Black and White

      Ink and Clay 14 Mar - 25 Apr 2014
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    • Winter Antiques Show

      Winter Antiques Show

      A Benefit for East Side House Settlement 24 Jan - 2 Feb 2014
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    • The Eight Winds

      The Eight Winds

      Chinese Influence on Japanese Ceramics 18 Sep - 31 Oct 2013
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    • Seven Sages of Ceramics

      Seven Sages of Ceramics

      Modern Japanese Masters 14 Mar - 26 Apr 2013
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    • Winter Antiques Show

      Winter Antiques Show

      Park Avenue Armory 20 - 29 Jan 2012
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  • Ishiguro Munemaro 石黒 宗麿

    Ishiguro Munemaro 石黒 宗麿

  • bio pt 1

    bio pt 1

    (1893-1968)

    Born into a wealthy family, ISHIGURO MUNEMARO was surrounded as a child by his father’s (an amateur potter) collection of antique ceramics. Upon returning from military service in Korea in 1916, Ishiguro began the study of Chinese ceramics and language. After several moves in Tokyo, he settled in Kyoto in 1927 and opened his kiln in the city’s ceramic center, Imakumano, where he befriended the important potter and scholar of Chinese material, Koyama Fujio (1900-1975).

    Ishiguro also became a noted collector and scholar of Chinese Han and Song dynasty ceramics, notably perfecting the difficult technique of the persimmon tenmoku glaze for which he was designated in 1952 as an Intangible Cultural Property. Ishiguro’s non-traditional work, marked by powerful potting and bold, vigorous designs, combined with his genius in traditional aesthetics, earned him the designation of Living National Treasure in 1955.

  • video

  • bio pt 2

    bio pt 2

    Selected Public Collections:

    Aichi Prefectural Museum of Art, Japan
    The Cleveland Museum of Art, OH
    Eisei-Bunko Museum, Tokyo, Japan
    Hagi Uragami Museum, Japan
    Ibaraki Ceramic Art Museum, Japan
    Idemitsu Museum of Art, Tokyo, Japan
    Imperial Household Agency, Tokyo, Japan
    Ishikawa Prefectural Museum of Art, Japan
    Izumi City Shinminato Museum, Japan
    Kitamura Museum, Kyoto, Japan
    Menard Art Museum, Aichi, Japan
    Minneapolis Institute of Art, MN
    Musée national de Céramique, Sèvres, France
    Musée Tomo, Tokyo, Japan
    Museum of Fine Arts, Boston, MA
    Museum of Oriental Ceramics, Osaka, Japan
    National Museum of Modern Art, Kyoto, Japan
    National Museum of Modern Art, Tokyo, Japan
    Shinminato City Board of Education, Japan
    Suiboku Museum, Toyama, Japan
    Toyama Prefectural Board of Education, Japan
    Toyama Prefecture, Japan

  • large image

    large image

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