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Kumakura Junkichi

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  • Kumakura Junkichi
  • bio pt 1
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  • Exhibitions
    • PAINTED CLAY

      PAINTED CLAY

      Wada Morihiro and Modern Ceramics of Japan 16 Mar - 14 Apr 2023
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    • Summer Sculptures

      Summer Sculptures

      21 Jun - 31 Aug 2021
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    • Restraint and Flamboyance: Masterworks of Mino

      Restraint and Flamboyance: Masterworks of Mino

      Asia Week 2020 12 - 28 Mar 2020
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    • Vessel Explored / Vessel Transformed - Tomimoto Kenkichi and his Enduring Legacy

      Vessel Explored / Vessel Transformed - Tomimoto Kenkichi and his Enduring Legacy

      13 Mar - 26 Apr 2019
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    • Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Japanese Ceramics 1960 - Present: Function vs. Sculpture

      Winter Antiques Show 2018 22 - 31 Jan 2018
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    • Ao: Colors of Nature in Blue+Green

      Ao: Colors of Nature in Blue+Green

      Winter Antiques Show 20 - 29 Jan 2017
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    • Winter Antiques Show

      Winter Antiques Show

      A Benefit for East Side House Settlement 23 Jan - 1 Feb 2015
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    • Japan in Black and White

      Japan in Black and White

      Ink and Clay 14 Mar - 25 Apr 2014
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    • Winter Antiques Show

      Winter Antiques Show

      A Benefit for East Side House Settlement 24 Jan - 2 Feb 2014
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  • Kumakura Junkichi

    Kumakura Junkichi

  • bio pt 1

    bio pt 1

    (1920-1985)

    KUMAKURA JUNKICHI was a major figure in the world of Japanese sculptural ceramics. He graduated in 1942 from Kyoto Institute of Technology as a design major. From 1946 to 1947, Kumakura, along with Tamura Kōichi (1918-1987), was an assistant to Tomimoto at Shōsai tōen kiln, where he was greatly influenced by the master’s techniques and his concept of the role of ceramist-artist. Not long thereafter, he became a core member of the avant-garde Sōdeisha group of ceramists. Throughout his career, Kumakura was attracted to and inspired by the improvisational character of jazz and its then-marginalized position in the world of music. Equally unusual for the period, much of his work is boldly and explicitly focused on sexuality and eroticism. 

    He was awarded the first Japan Ceramic Society Prize in 1954 and soon thereafter he was invited to submit works to innumerable national and international exhibitions including the Brussels World Exposition in 1958, where he took grand prize, and the International Ceramics Exhibition Prague in 1962, where he took silver prize. In 1989 a major retrospective exhibition, Kumakura Junkichi: Organs that Provoke, was held at the National Museum of Modern Art, Tokyo. 

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